
My work is hard-edged
painting that is minimal and linear. I use synthetic water-based mediums
such as silica, urethane, and acrylic resin along with pigments to make
my own paint. I work on stretched canvas or linen that may be found stretched
over panel. The paintings are flat color fields with lines that carve themselves
through the surface. Tape is used as a drawing tool, cautiously applied
to prevent the bleeding of paint. This allows an acute interaction of color.
The work is assembled with many thin layers of paint by way of cross-hatched
brush strokes in hopes of creating a physical substance to the painting.
The overall aesthetic favors a reductive, minimalist bent coupled with
physicality.
Nautical Sun is a series responding to the geometrical simplicity found
in the nautical star. Like many signs and symbols, there has been
an appropriation and
reinvention of this sharply constructed image over the decades. The conceptual
ideas that struck an accord with me is its strong historical use as a navigational
icon for sailors and pirates as well as a modern day symbol of guidance for
punk rock subculture. Just as this is utilized as a way finder, it
also can be used
for the exploration of hard-edged geometrical painting. Inherently, by employing
the nautical star as a stemming point, it led me into thoughts of geography,
maps, exploration, and direction.
Within the creation of each piece there was a searching for something. The
search became a gesture toward the unknown, and a shift into new territory.
This clued
me into a diversified idiom such as patterns of primitivism and futuristic
schematics of urban planning. These manifestations are what excite me about
the work. The
parts can be laid flat, disassembled or turned inside out. Each nuance allows
a delivery with a slight deviation, presenting possibilities into different
reads, especially when teamed with the bands. These are what prompted the map
ideas
interpreting East and West or the angling of the bands might give an action
such as opening/closing, filling/dispensing. Abstract clarity may be found
in some
pieces and mystery in others. Through all of this, I try to reveal logic as
well as my intuition for solutions that interplay into a contingent expansion
of the
work.